By David Herman, Manfred Jahn, Marie-Laure Ryan
Bookmarked with complete inner iperLinks cross-references.
The expanding curiosity in narrative concept as a spotlight of inquiry throughout a number of disciplines makes it central for students, academics, and scholars to have entry to an in-depth reference that cuts throughout disciplinary specializations to supply information regarding the middle strategies, different types, differences, and technical nomenclatures that experience grown up round the examine of narrative in all of its guises. The Routledge Encyclopedia of Narrative conception solutions that desire, supplying a accomplished and authoritative source for college students and researchers within the many disciplines drawing on strategies of storytelling and utilizing equipment of narrative research.
In addition to supplying plentiful assurance of structuralist types and of the frameworks built for the learn of literary narratives, this reference additionally seeks to provide a extensive evaluation of paradigms for examining tales throughout numerous media and genres--from movie, tv, opera, and electronic environments, to gossip, activities announces, comics and photograph novels, obituaries, and lots of extra. The entries conceal the heritage of the sector, key phrases and ideas, quite a few colleges and ways, very important debates, and a variety of disciplinary contexts on the topic of the field.
Featuring huge cross-references and recommendations for additional studying, this encyclopedia is helpful for college students and researchers in lots of fields, from literary stories, gender reviews, and philosophy, to cognitive and social psychology, media experiences, synthetic Intelligence, and the examine of corporations, drugs, jurisprudence, and history.
* finished and really interdisciplinary insurance, studying narrative concerns throughout disciplines, media, genres, and cultural contexts
* Written by way of a world group of over 2 hundred specialists in from all around the world
* generally cross-referenced and indexed
* Authoritative and up to date bibliographies and proposals for additional reading
Action idea --
Ancient theories of narrative (Western) --
Ancient theories of narrative (non-Western) --
Artificial intelligence and narrative --
Cognitive narratology --
Computational techniques to narrative --
Cultural stories ways to narrative --
Deconstructive methods to narrative --
Discourse research (Foucault) --
Ethnographic techniques to narrative --
Time in narrative --
Feminist narratology --
Gender reviews --
Genre idea in narrative experiences --
Identity and narrative --
Marxist techniques to narrative --
Media and narrative --
Medicine and narrative --
Post-colonialism and narrative --
Poststructuralist ways to narrative --
Children's tales (narratives written for kids) --
Psychological methods to narrative --
Queer thought --
Reader-response thought --
Realism, theories of --
Science and narrative --
Sociology and narrative --
Space in narrative --
Structuralist narratology --
Comics and photograph novel --
Computer video games and narrative --
Detective fiction --
Film narrative --
Magical realism --
Modernist narrative --
Native American narrative --
Transgressive fictions --
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Additional info for Routledge Encyclopedia of Narrative Theory
J. Greimas (1983 , 1987 ). Conceived as ‘fundamental role[s] at the level of narrative deep structure’ (Prince 1987: 1), ‘actants are general categories [of behaviour or doing] underlying all narratives (and not only narratives) while [actors] are invested with specific qualities in different narratives’ (Rimmon-Kenan 1983: 34). 26] Propp's groundbreaking analysis of the ‘functions’ performed by characters in Russian *folktales furnished a precedent for this structuralist conception of actants (see FUNCTION (PROPP)).
26] allegorical narrative from its interpretative counterpart is that it dramatises the practice of allegoresis. , the Bible (see BIBLICAL NARRATIVE). Thus the entire action in the fourteenth century Pearl is taken up by an encounter between the protagonist and his dead daughter, who instructs him in Christian doctrine and shows him the heavenly Jerusalem. Narrative allegory flourished in the Middle Ages, when it proved singulrly adaptable to the genre of the dream poem (see DREAM NARRATIVE; MEDIEVAL NARRATIVE).
Often it is the medium that dictates whether an advertisement has a *narrative structure or not. 26] and television clearly lend themselves to narrative by presenting a *storyworld mimetically. It seems that advertisers prefer using a narrative structure in advertisements for utilitarian products such as beer, cereals, laundry detergent, etc. This structure provides the opportunity to show a change of state (a ‘before’ and ‘after’ effect) and how the product brings this about. Advertisements for luxury products (designer clothes, cars, jewellery) tend to be more descriptive (see DESCRIPTION ), and the emphasis is on the product and no longer on *narrators or *characters.